“I’m not sure how long I can do this.” Hopefully that was just idle speculation. “How many shots do you have to take to be an alcoholic?” she wonders.
She’s been in the business for a few years now, and despite her successes, songs like “Mama” show her singing with refreshing honesty about its dark side. tour, cut short by the coronavirus: the two are kindred artistic spirits.) Alma’s debut album, Have U Seen Her, is finally out-and it’s a dark, glittering slice of 2020 pop, as heard on “Mama.” Alma is a powerhouse vocalist with a rich low register, a muscle she puts to use over gritty, spare production this might be a spring album, but don’t expect summer bops. (It’s no mistake she was the opening act for Tove Lo’s most recent U.S.
#Lany malibu nights album genuis tv
The Finnish singer has been carving out her space as one of Scandinavia’s next generation of pop talents, racking up writing credits and a few earworm hits (“Chasing Highs”) after getting her early start with as a teen on a TV talent program. With her fluorescent green hair and a long contact list of celebrity artists and friends, Alma is disconcertingly cool. It evokes the kind of visceral reaction, like mine on “Whole Life,” that makes you take stock of your own feelings. It’s the kind of music you can find something new in every time you listen. His deft style of twisting bright melodies into strange and surprising new directions, with oblique lyrics that pack a gut-punch if you tune in closely, shines stronger than ever. On this third album after 2017’s No Shape, the shape-shifting Hadreas tries on every sound in the book, from retro rock to grunge to sweet pop. It was just a dream.” His voice floats, shimmering, over aching organ-like chords-a funeral dirge that then breaks into tinkling, effervescent piano keys. “Half of my whole life is gone,” he continues: “Let it drift and wash away. That’s because the third album from artist Mike Hadreas starts with a gasp of its own: a literal intake of breath, ragged and searching, that says more than many whole songs. The first time I listened to Perfume Genius’ new album Set My Heart on Fire Immediately, I gasped, stopped in my tracks-I was on a walk-and started the opening song again. “If the song can accompany the kind of gratitude we feel for our medical professionals, I’m humbled and honored by that,” Saxe says. Meanwhile on social media, listeners co-opted many of its keenly relatable lyrics to express their own concern and frustration during the pandemic.
The original release is both Saxe’s and Michaels’ most popular song on Spotify, streamed over 350 million times. “We were imagining a hypothetical situation,” Saxe laughs about writing the song. (Some of the split-screen harmony pairings are a delight.) Then there’s the hopeless bittersweetness of the song itself, ever more real as isolation drags on. Add to that a small thrill in hearing unembellished vocals from the likes of Alessia Cara and Keith Urban. But where that star-studded collaboration read the room wrong, this one feels better suited to its moment.įirst, there’s the assembled talent, an eclectic, global set of singers ( Zara Larsson, Korean band The Rose, H.E.R., Fletcher, Camilo). “But this is certainly not what I had imagined!” Saxe and Michaels aren’t the first artists to ask fellow stars to jump in with musical contributions Gal Gadot’s much maligned “Imagine” tribute came out in late March, with a similarly lo-fi concept. “As an artist, you hope that what comes from the most personal parts of your life will attach itself to some sort of cultural relevance,” Saxe told TIME back in April. On Thursday, Saxe and Michaels shared a fresh version that tapped the talents of artists including Niall Horan, Kesha, Sam Smith and Jason Derulo, blending them into a mega-mix with all proceeds going towards Doctors Without Borders.
But well into the second month of COVID-19’s catastrophic impacts, it’s taken on new meaning. “Would you love me for the hell of it? All our fears would be irrelevant.” It’s a catchy snippet from “If the World Was Ending,” his tender ballad with pop favorite Julia Michaels, originally released in October. “If the world was ending, you’d come over right?” Canadian singer-songwriter JP Saxe sings.
0 kommentar(er)
